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Eero Jarnefelt
(8 November 1863 - 15 November 1937) was a Finnish realist painter.
Eero Järnefelt was born in Viipuri, Finland. His father August Aleksander Järnefelt was an officer in the Russian army and his mother was Elisabeth Järnefelt. He studied at the St. Petersburg art academy between 1883 and 1885, the same school at which Albert Edelfelt had studied. Eero Järnefelt's sister Aino Järnefelt married composer Jean Sibelius in 1892,
Eero Järnefelt's sisters and brothers were Kasper, Arvid, Aino Ellida, Ellen, Armas, Hilja and Sigrid.
He went to study in Paris in 1886, where he became friends with Akseli Gallen-Kallela, Emil Wikström and Louis Sparre. He was inspired by the plein-air and naturalistic paintings of Jules Bastien-Lepage
On a trip to Keuruu in 1889, he met actress Saimi Swan. They were married in 1890.
His most famous painting is probably The Wage Slaves (Raatajat rahanalaiset or Kaski, from 1893, External link), depicting slash-and-burn agriculture. Related Paintings of Eero Jarnefelt :. | The Infant Jesus Distributing Bread to Pilgrims sg | Guests Attending the Wedding (san09) | Arab or Arabic people and life. Orientalism oil paintings 420 | Reverend Joseph Sewall | THed Burning of the Houses of Lords and Commons,16 October,1834 | Related Artists: Alexander H.Emmons(1816 - 1879) William AndersonWilliam Anderson (1757 - 27 May 1837) was born in Scotland and became an artist specializing in maritime and patriotic themes..
Anderson's training as a shipwright stood him in good stead when he became an artist specializing in maritime art based on the Dutch 17th century Masters. He first exhibited at the Royal Academy in 1780 and continued to exhibit annually until 1811. He then exhibited intermittently until 1834. His best work was executed in the years 1790-1810, during the French Revolutionary and Napoleonic Wars, at which time the demand for naval paintings was high. He painting was not restricted to marine subjects.
His pictures, shown at exhibitions, include A View of Berwick-on-Tweed and A View of Tynemouth. His history paintings include The Battle of Waterloo, The Capture of Fort Louis, Martinique, 1794, which shows the attack by Commander Robert Faulknor of Zebra on Fort Saint Louis (Martinique), The Battle of Cape Finisterre, The First Battle of Groix and The Battle of the Nile . Other paintings include Shipping on the Thames at Deptford and View at the mouth of the Thames ..
Max Beckmann1884-1950
was a German painter, draftsman, printmaker, sculptor, and writer. Although he is usually classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s he was associated with the New Objectivity (Neue Sachlichkeit), an outgrowth of Expressionism that opposed its introverted emotionalism. He was born into a middle-class family in Leipzig, Saxony. From his youth he pitted himself against the old masters. His traumatic experiences of World War I, in which he served as a medic, coincided with a dramatic transformation of his style from academically correct depictions to a distortion of both figure and space, reflecting his altered vision of himself and humanity.He is known for the self-portraits he painted throughout his life, their number and intensity rivalled only by Rembrandt and Picasso. Well-read in philosophy and literature, he also contemplated mysticism and theosophy in search of the "Self". As a true painter-thinker, he strove to find the hidden spiritual dimension in his subjects. (Beckmann's 1948 "Letters to a Woman Painter" provides a statement of his approach to art.) In the Weimar Republic of the Twenties, Beckmann enjoyed great success and official honors. In 1927 he received the Honorary Empire Prize for German Art and the Gold Medal of the City of D??sseldorf; the National Gallery in Berlin acquired his painting The Bark and, in 1928, purchased his Self-Portrait in Tuxedo.In 1925 he was selected to teach a master class at the Städelschule Academy of Fine Art in Frankfurt. Some of his most famous students included Theo Garve, Leo Maillet and Marie-Louise Von Motesiczky. His fortunes changed with the rise to power of Adolf Hitler, whose dislike of Modern Art quickly led to its suppression by the state. In 1933, the Nazi government bizarrely called Beckmann a "cultural Bolshevik"and dismissed him from his teaching position at the Art School in Frankfurt. In 1937 more than 500 of his works were confiscated from German museums, and several of these works were put on display in the notorious Degenerate Art exhibition in Munich.For ten years, Beckmann lived in poverty in self-imposed exile in Amsterdam, failing in his desperate attempts to obtain a visa for the US. In 1944 the Germans attempted to draft him into the army, despite the fact that the sixty-year-old artist had suffered a heart attack. The works completed in his Amsterdam studio were even more powerful and intense than the ones of his master years in Frankfurt, and included several large triptychs, which stand as a summation of Beckmann's art. After the war, Beckmann moved to the United States, and during the last three years of his life, he taught at the art schools of Washington University in St. Louis (with the German-American painter and printmaker Werner Drewes) and the Brooklyn Museum. He suffered from angina pectoris and died after Christmas 1950, struck down by a heart attack in Manhattan.Many of his late paintings are now displayed in American museums.
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